The University of Texas at Dallas (UT Dallas) recently broke ground on the Crow Museum of Asian Art, the first phase of a new 12-acre cultural district on campus. The Edith and Peter O’Donnell Jr. Athenæum will be an arts destination for students, faculty, and community.
Designed by global architecture and design firm Morphosis, the arts campus will create a new gateway to the university and include a performance hall, a museum for the traditional arts of the Americas, a central plaza, and a parking structure. The Athenaeum is part of a significant period of growth of the arts at UT Dallas, a school that has historically focused on science, engineering, technology, and business.
The cohesive and dynamic vision for the Athenæum is intended to establish UT Dallas as a cultural hub with outdoor features including landscaped gardens, tree-lined walkways, paved open spaces with benches and water features, an amphitheater, and public sculptures. The plan knits together the buildings within the Athenæum and provides important pedestrian connections to the rest of the campus.
The two-story, 68,000 sf Crow Museum, which includes 12,000 sf of contiguous outdoor space for programs and events, will be completed in Phase I in 2024. It will have 16,000 sf of flexible gallery space to display the collection’s diverse selection of Asian art with ancient and contemporary works from Cambodia, China, India, Indonesia, Japan, Korea, Myanmar, Nepal, Pakistan, Thailand, Tibet, and Vietnam. The museum will also house a state-of-the-art conservation lab, classroom spaces, administrative offices, and the Brettell Reading Room.
Another building, a two-story 53,000 sf performance hall, will include a 600-seat concert venue, practice rooms, choral and orchestra rehearsal rooms, to be constructed in Phase II. A two-story 50,000 sf museum for the traditional arts of the Americas will be completed in Phase III. A three-story 1,100-car parking structure with two levels above grade and one basement-level walk-out will serve the Athenæum and campus.
The three cultural buildings are designed with second floors that are larger than the ground floor, creating covered exterior spaces that can be used for studying, building entry, daytime and nighttime events and gatherings, performances, art display, and everyday campus life. Each building is clad with white precast concrete panels featuring a three-dimensional pattern created through an innovative process designed by Morphosis.
Building Team:
Owner: University of Texas at Dallas
Design architect: Morphosis
Architect of record: GFF
Design MEP Engineer: Buro Happold
MEP Engineer of Record: Campos Engineering
Structural engineer: Datum Engineers
General contractor/construction manager: The Beck Group
Related Stories
Museums | May 15, 2019
The new Statue of Liberty Museum in New York seeks to educate and inspire
This LEED-Gold building features three exhibit spaces that give visitors more access to and engagement with the statue’s history.
Museums | May 10, 2019
Lincoln Park Zoo announces renovation plans and design for the Kovler Lion House
Construction will begin in fall 2019.
Museums | Feb 27, 2019
Seoul’s Robot Science Museum will be built by robots
Robots will be in charge of jobs such as molding, welding, and polishing metal plates for the museum’s façade, and 3D printing concrete.
Museums | Feb 22, 2019
The National Museum of Qatar takes its design from the desert rose
Jean Nouvel designed the museum.
Museums | Jan 16, 2019
Disused British airfield to become an automotive museum
Foster + Partners is designing the facility.
Museums | Sep 10, 2018
Helsinki’s underground art museum opens to the public
JKMM designed the space.
Architects | Jun 14, 2018
Chicago Architecture Center sets Aug. 31 as opening date
The Center is located at 111 E. Wacker Drive.
Museums | Jun 1, 2018
The new Orange County Museum of Art will be Orange County’s largest center for arts and culture
Morphosis designed the building.
| May 24, 2018
Accelerate Live! talk: Security and the built environment: Insights from an embassy designer
In this 15-minute talk at BD+C’s Accelerate Live! conference (May 10, 2018, Chicago), embassy designer Tom Jacobs explores ways that provide the needed protection while keeping intact the representational and inspirational qualities of a design.
Museums | Apr 2, 2018
‘Canopy of Peace’ to rise 150 feet above The National WWII Museum
The piece will tie together the six-acre campus.