Last month, I wrote about how automation and AI are dramatically changing all four fundamental relationships between buildings and machines. For example, nanotechnology, which manipulates individual atoms and molecules to assemble things, could make the modernist metaphor of a āmachine for living inā into reality, since the building would actually be composed of many tiny machines.
In fact, thatās not quite accurate. The definition of āmachineā is āan apparatus using or applying mechanical power and having several parts, each with a definite function and together performing a particular task.āĀ
So machines are made of distinct parts, cobbled together to fulfill a function. They are characterized by their composition, as assemblages of singular bits and pieces in which the whole is greater than the sum.
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But nanotech will completely change this. When entire buildings can be shaped from microscopic components, the visible distinction between the individual parts will evaporate. A structure built from invisible machines will not appear to be a machine at all, since it no longer will be perceived as an assembly of parts. An edifice made of congealed cybernetic butter will look to be all whole, no parts. The very concept of a ābuildingā could become meaningless, since it will no longer be ābuiltā in any traditional way.Ā
Remember āTerminator 2ā? Arnold Schwarzeneggerās T-800 is a machine: steel and servos wrapped in human skin. Robert Patrickās T-1000 is made of liquid metal (āmimetic polyalloyā). Heās like sentient mercury, morphing into any shape he needs. A nanotech building (ānanotectureā?) would make conventional structures seem like Robby the Robot (of āForbidden Planetā fame).
Buttery buildings could change everything we think and know about architecture. Frank Lloyd Wright felt that architectural form should stem from the inherent ānatureā of its materials: āEach material speaks a language of its own.ā In his mind, the proportions, heft, and texture of brick logically translated into structures such as the Robie House, which extends horizontally and hugs the land. But when the constituent parts of a building are too small to be seen with the naked eye, the relationships between form and materials will change. What is the ālanguageā of a nanobot?
Because the character of a building could vary upon commandāhard and opaque one minute, soft and transparent the nextāthe fabric of buildings could become fluid, fluctuating states from solid to liquid to gas and back. The notion of truth in materials will become irrelevant. In fact, the word material could go away. When the basic building blocks of architecture have no strict definition, structure and substance could separate. Matter may not matter.
Could there come a time when buildings will become less about bricks and mortar and feel more like mists or fogs, vaguely enveloping space in ways we can barely picture now? What will it be like to live in a cloud?
Lance Hosey, FAIA, LEED Fellow, is a Design Director with Gensler. His book, The Shape of Green: Aesthetics, Ecology, and Design, has been an Amazon #1 bestseller in the Sustainability & Green Design category.
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