Like many architects before him, Turan Duda initially wanted to be an artist.
He went the architecture route instead, which he views as an art form. As a Partner with the Durham, N.C., firm Duda|Paine Architects, Duda, FAIA, has made it his mission to include an element of art in every project his team gets involved in.
The relationship between art and architecture is as old as history. But lately, clients and businesses seem to be catching on to the connection linking art and design, employee productivity, social responsibility, and customer satisfaction.
A recent survey conducted by ICM, a London-based research firm, and Art & Business, a non-profit network that builds partnerships between businesses and the arts, found that 73% of employees polled want more art in the workplace, stating that it both motivated and inspired them.
“The inclusion of art in the workplace is not a decorative gesture,” wrote Harlan Levey, a lecturer, art consultant, and owner of Harlan Levey Projects in Brussels; and Denis Maksimov a cultural critic and associate curator at that gallery. “It is not the same as buying some new plants. On the contrary, it can have several positive impacts and play an important role in your business. Art in the workplace can encourage employees to think creatively. It can create conversations amongst them while actively constructing an image of corporate culture, values and ambitions. It can also create revenue and diversify the company portfolio.”
Duda says this connection began to resonate with him when he was a student at Yale, where he recalls a “wonderful” studio with Peter Eisenman, a Principal with Eisenman Architects. “He asked us ‘what is architecture?’ and described it as a building with multiple readings that do more than one thing.”
After nearly two decades with Cesar Pelli & Associates, Duda and Jeffrey Paine, AIA, launched their firm in 1997. Over the years, Duda|Paine has built a reputation for using art to help clients express their vision.
Duda says that art is now “almost expected” in civic and public works. He speaks admiringly of the water walls at Millennial Park in Chicago as examples of the communal aspect of art. He has also seen art being included in new buildings in Austin and Asheville, N.C., “which are centers for creative folks.”
But for many nonresidential building clients, art “is an afterthought” that gets moved to the forefront of projects only when “it’s integral to the architecture.” Duda paraphrases the artist and MacArthur Fellow James Turrell that the most beautiful thing about art is when it doesn’t look like art.
The criteria for using art in nonresidential settings are site-specific, he explains. “We think of our work experientially; what is the experience we want people to have as they arrive at the building.” And it’s much easier to have discussions about art and budgets at the beginning of a project, “when we can make art part of the design of the building.”
One of Duda|Paine’s first noteworthy attempts at incorporating art into its designs was a commission by Bank of America in 2000. The architect, working with the artist Ned Kahn, developed “Wind Veil,” 80,000 small aluminum panels that covered a 260-ft by six-story-tall façade of the parking garage at Gateway Village in Charlotte, N.C. The panels were hinged to the building to move freely in the wind, “creating an impression of waves in a field of metallic grass,” according to Kahn’s website.
Last year, owner-developer Boston Properties opened 601 Massachusetts Avenue, a 650,000-sf, 11-story building with offices and retail in Washington D.C. In the lobby of that building, Duda|Paine installed a 30-ft stone travertine curtainwall supplied by the Italy-based artisan Henraux, which Duda describes as “a piece of art.” Also gracing the lobby is a freestanding stone sculpture called Le vie della luce (“the ways of light”), created by the Italian sculptor Giovanni Balderi.
Huge glass walls, backlit by LED fixtures, are prominent art elements in the lobby of Colorado Tower in Austin, Texas. Image: Courtesy Duda|Paine
Another recent Duda|Paine-designed project is the Cousins Properties-owned Colorado Tower, a 29-story, 650,000-sf mixed-use building in Austin that opened in January 2015. Colorado Tower’s lobby is distinguished by huge glass walls that Duda|Paine developed in collaboration with the glass artist Kenneth von Roenn. Jr., who was a classmate of Duda’s at Yale.
On the Kaiser/von Roenn Studio website, von Roenn states that the objective of the glass walls—which are visible from the street—is “to create a soothing/calming effect” by referencing the Colorado River, which is only three blocks from the building. LED lighting illuminates the walls, which were painted in colors that create the appearance of undulating water.
Ultimately, says Duda, what his firm is attempting to achieve by including art in its designs is to “control the view, control the experience.”
Related Stories
| Mar 17, 2011
Hospitality industry turns to HTS Texas for ‘do not disturb’ air conditioned comfort
Large resort hotels and hospitality properties throughout the Southwest have been working with local contractors, engineers and HTS Texas for the latest innovations in quiet heating, ventilating and air conditioning (HVAC) equipment. The company has completed 12+ projects throughout Texas and the Southwestern U.S. over the past 18 to 24 months, and is currently working on six more hotel projects throughout the region.
| Mar 16, 2011
AIA offers assistance to Japan's Architects, U.S. agencies coordinating disaster relief
“Our hearts go out to the people of Japan as a result of this horrific earthquake and tsunami,” said Clark Manus, FAIA, 2011 President of the AIA. “We are in contact with our colleagues at AIA Japan and the Japan Institute of Architects to offer not only our condolences but our profession's technical and professional expertise when the initiative begins focusing on rebuilding."
| Mar 16, 2011
Are you working on a fantastic residence hall project? Want to tell us about it?
The feature story for the May 2011 issue of Building Design+Construction will focus on new trends in university residence hall design and construction, and we’re looking for great projects to report on and experts to interview. Projects can involve new construction or remodeling/reconstruction work, and can be recently completed, currently under construction, or still on the boards.
| Mar 16, 2011
Foster + Partners to design carbon-neutral urban park for West Kowloon Cultural District in Hong Kong
Foster + Partners has been selected by the board of the West Kowloon Cultural District Authority to design a massive 56-acre urban park on a reclaimed harbor-front site in Hong Kong. Designed as a carbon-neutral development, “City Park” will seamlessly blend into existing streets while creating large expanses of green space and seventeen new cultural venues.
| Mar 15, 2011
What Starbucks taught us about redesigning college campuses
Equating education with a cup of coffee might seem like a stretch, but your choice of college, much like your choice of coffee, says something about the ability of a brand to transform your day. When Perkins + Will was offered the chance to help re-think the learning spaces of Miami Dade College, we started by thinking about how our choice of morning coffee has changed over the years, and how we could apply those lessons to education.
| Mar 15, 2011
What will the architecture profession look like in 2025?
The global economy and the economic recession have greatly affected architecture firms' business practices. A Building Futures survey from the Royal Institute of British Architects looks at how these factors will have transformed the profession and offers a glimpse of future trends. Among the survey's suggestions: not only will architecture firms have to focus on a financial and business approach rather than predominantly design-led offices, but also company names are predicted to drop ‘architect’ altogether.
| Mar 15, 2011
Passive Strategies for Building Healthy Schools, An AIA/CES Discovery Course
With the downturn in the economy and the crash in residential property values, school districts across the country that depend primarily on property tax revenue are struggling to make ends meet, while fulfilling the demand for classrooms and other facilities.
| Mar 14, 2011
Renowned sustainable architect Charles D. Knight to lead Cannon Design’s Phoenix office
Cannon Design is pleased to announce that Charles D. Knight, AIA, CID, LEED AP, has joined the firm as principal. Knight will serve as the leader of the Phoenix office with a focus on advancing the firm’s healthcare practice. Knight brings over 25 years of experience and is an internationally recognized architect who has won numerous awards for his unique contributions to the sustainable and humanistic design of healthcare facilities.
| Mar 11, 2011
University of Oregon scores with new $227 million basketball arena
The University of Oregon’s Matthew Knight Arena opened January 13 with a men’s basketball game against USC where the Ducks beat the Trojans, 68-62. The $227 million arena, which replaces the school’s 84-year-old McArthur Court, has a seating bowl pitched at 36 degrees to replicate the close-to-the-action feel of the smaller arena it replaced, although this new one accommodates 12,364 fans.
| Mar 11, 2011
Temporary modular building at Harvard targets sustainability
Anderson Anderson Architecture of San Francisco designed the Harvard Yard childcare facility, a modular building manufactured by Triumph Modular of Littleton, Mass., that was installed at Harvard University. The 5,700-sf facility will remain on the university’s Cambridge, Mass., campus for 18 months while the Harvard Yard Child Care Center and the Oxford Street Daycare Coop are being renovated.