The final public element for the rebuilding of the World Trade Center complex in New York City is a performing arts center that’s expected to open next September. That month will also mark the one-year anniversary of the opening of an adaptive reuse which converted what once was a greenhouse in Tarrytown, N.Y., into a flexible, 8,000-sf performance and rehearsal space, artists’ gallery and studio.
The architecture firm REX, working in collaboration with executive architect Davis Brody Bond, theater consultant Charcoalblue, and Threshold Acoustics, designed the eight-story, 138-foot-tall Perelman Performing Arts Center, located in lower Manhattan. The 129,000-sf cube-shaped PAC will provide new spaces for theater, dance, music, chamber opera, film, and media events.
Its three theaters—the John A. Zuccotti Theater, that can accommodate 450 seats; the Mike Nichols Theater, with a 250-seat capacity; and the Doris Duke Theater, which can have up to 99 seats—can be adjusted or combined into 10 different configurations.
The PAC will be adjacent to the World Trade Center Oculus and Transportation Hub. Because it is being built over an existing subway and rail complex, the project’s structural engineer Magnusson Klemencic Associates devised a system that would support that building’s mass, consisting of seven mega columns through the existing infrastructure that hold aloft a belt-truss structure within which the PAC’s auditoria “float.”
The building’s exterior is wrapped with nearly 5,000 5x3-ft marble panels from Portugal, each weighing 295 lbs. (Front is the façade consultant.) Inside, the PAC is organized into three levels: a public level accessible by grand staircase or elevator that encompasses the lobby concourse and stage; an “artists” level with dressing rooms, green rooms, and wardrobe areas; and a “play” level for the three theaters and rehearsal space.
Rockwell Group designed the building’s lobby and restaurant concept restaurant. The project’s estimated cost is $500 million. Its building team includes Sciame (CM), ARUP (circulation consultant), Atelier Ten (sustainability consultant), and Wilson Ihrig (noise and vibration consultant)
From greenhouse to green performing arts center
Pocantico Center, the 216-acre former Rockefeller family estate in Tarrytown, housed John D. Rockefeller’s historic Orangerie, an orange tree greenhouse with 26-ft-high ceilings, that was opened in 1906.
The Orangerie had long been dormant when the Rockefeller Brothers Fund hired the architecture firm FXCollaborative to rehabilitate the building into a multidisciplinary arts center that would also be a model for sustainable design, and inclusion.
This adaptive reuse, now called the David Rockefeller Creative Arts Center, “is rooted in supporting the creative process across artistic disciplines,” said Brandon Massey, AIA, LEED GA, Senior Associate at FXCollaborative, in a prepared statement. This renovation, at a cost of $26 million, was completed within the guidelines of the National Trust for Historic Preservation. (Li Salzman Architects was the project’s historic preservation consultant.)
The reno added concrete slab flooring and sectioned off different areas of the building’s interior for specific performance or installation spaces. The building team added stage and rehearsal studios that can pivot 90 degrees. Also added were 40-ft-wide doors in the back of the building.
The design and construction aspired the building to achieve net-zero energy performance and LEED Platinum certification. The building’s green features include energy efficient windows, solar panels, and rainwater recapture.
The building team on this project included York Construction Corp (CM), Silman Structural Engineers (SE), Langan Engineering (CE), Altieri Sebor Wieber (MEP/FP), and Envoie Projects (owner’s rep.).
Related Stories
Performing Arts Centers | Aug 31, 2016
Sydney Opera House scheduled for $200 million upgrade
Acoustical improvements will be made alongside upgrades in accessibility, efficiency, and flexibility.
Performing Arts Centers | Jun 16, 2016
Synagogues in Omaha and New York get new lives after intense reconstruction
The Omaha Conservatory of Music gets a new home in a temple. A fire leads to an ambitious rebuild for a NYC synagogue.
Performing Arts Centers | May 4, 2016
Diamond Schmitt unveils designs for Buddy Holly Hall performing arts center
The spacious and versatile complex can hold operas, plays, rock concerts, and conferences.
Cultural Facilities | May 4, 2016
World’s largest cultural center planned for Dubai
The Opera District will have a 2,000-seat theater and three residential complexes.
Performing Arts Centers | Apr 22, 2016
Construction begins on RUR Architecture’s Taipei Pop Music Center’s South Site
The designers believe the center, which will have performance areas, production spaces, and a hall of fame, will be the Hollywood of Asian Pop music.
Performing Arts Centers | Apr 1, 2016
Adrian Smith + Gordon Gill Architecture’s The Yard at Chicago Shakespeare to begin construction this spring at Navy Pier
Among the unique design features is a movable set of structural audience “towers” that allows for directors and designers to create a space that works best for their specific performances.
| Jan 14, 2016
How to succeed with EIFS: exterior insulation and finish systems
This AIA CES Discovery course discusses the six elements of an EIFS wall assembly; common EIFS failures and how to prevent them; and EIFS and sustainability.
Museums | Sep 29, 2015
Designs unveiled for Warsaw Art Museum and Theatre
Emphasizing the building’s role in the public sphere, the museum will be accessible from all sides.
Performing Arts Centers | Jul 27, 2015
Vox Populi: Netherlands municipality turns to public vote to select design for new theater
UNStudio’s Theatre on the Parade received nearly three-fifths of votes cast in contest between two finalists.
Cultural Facilities | Jul 17, 2015
Rojkind Arquitectos serves up concert hall on the rocks in Mexico
The same way Frank Gehry’s Guggenheim has put Bilbao on the map, architect Michel Rojkind hopes his design will be “an urban detonator capable of inciting modernity in the area.”