Sun Theater serves the youth of St. Louis

Lawrence Group and property owner TLG Beaux Arts raised $11 million to restore the 26,000-sf theater into a modern performance venue.

November 18, 2015 |
Sun Theater serves the youth of St. Louis

St. Louis’s Sun Theater was added to the National Register of Historic Places in 1978. Photo: Michael Kelley.

Originally built in 1913 as the German-language Victoria Theatre, St. Louis’s Sun Theater locked its doors in 1981. Over the next four decades, water damage buckled the roof, the exterior cornice collapsed, six inches of fallen plaster covered the floor, and tree roots gnarled at the west wall. What Mother Nature didn’t destroy, vandals did.

The dilapidated theater was listed on the National Register of Historic Places in 1978, only to make the city’s Landmarks Association List of Most Endangered Places in 2007.

SILVER AWARD

SUN THEATER | St. Louis, Mo.

Building Team 
Submitting firm: Lawrence Group 
(developer, architect, interior designer, GC, developer)
Owner: TLG Beaux Arts, LLC
SE: KPFF Consulting Engineers
MEP engineer: SSC Engineering
Civil engineer: CEDC
Theatrical consultant: Morris Architects Planners
Acoustical consultant: AcoustiControl

General Information
Size: 26,000 sf
Construction cost: $11 million
Construction time: January 2013 
to March 2014
Delivery method: Design-bid-build

A few years ago, designer/developer/GC Lawrence Group and property owner TLG Beaux Arts rallied the Midtown Historic District community in a bold restoration effort. Pulling together a package of federal and state tax credits, low-interest deeds of trust, and other financing mechanisms, plus a $2 million low-interest loan from a benefactor, they raised $11 million to restore the 26,000-sf theater into a modern performance venue, with an adjacent charter school, Grand Center Arts Academy, as primary tenant.

Plaster restoration was led by Woemmel Plastering Co., the same firm that helped build the original building. Nearly half the original plaster detailing in the main theater was preserved. Heavily damaged areas were replicated to their original state, using methods nearly identical those used in 1912. (One of the craftsmen, Steve Foster, was the great-grandson of one of the original plasterers.)

On the exterior, the entire signature cornice had to be removed and preserved for replication. Molds were made from the original pieces to create exact replicas of the original.

All this work led to the creation of a modern performance venue and performing arts center used primarily by the charter school, which serves at-risk youth with after-school activities related to the arts. The theater and multifunction classrooms provide space for music and drama classes and performances.

In St. Louis, a city struggling with racial tension, Grand Center Arts Academy has become one of the most racially integrated schools in the metro region, attracting middle- and upper-middle-class students, many of whom self-identify as white, in a flow of reverse desegregation. The 535-student school ranks in the top three of all charter school performance metrics in the St. Louis area.

The Sun reopened last May, even though more work still needs to be done on the lighting and sound systems. In homage to the theater’s historic past, the program included a pantomime of Goethe’s “Faust,” a vaudeville act, and a gospel choir, but not another art form that it once hosted: burlesque. 

 

Sun Theater, in St. Louis’s Midtown Historic District, before restoration (above). After suffering through decades of neglect, the original 1,800-seat German-language theater was converted to a 600-seat performance hall, with classrooms for music and arts for the adjacent Grand Center Arts Academy charter school. Photo: Michael Kelley.

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