Four building material innovations from the Chicago Architecture Biennial

Responding to global housing shortages by designing sustainable, mass-produced housing is a common theme in the event's exhibited work

October 20, 2015 |
4 Building Material Innovations from the Chicago Architecture Biennial

The main exhibit hall is the Chicago Cultural Center, which opened in 1897 and served as the city’s main library until 1977. Photo by Adilla Menayang

It’s been nearly three weeks since the Chicago Architecture Biennial kicked off on Oct. 3. Reviews have been generally positive, from the Chicago Tribune’s Blair Kamin calling it a “mixed bag” with a vaguely titled, though well executed, theme, to The Wall Street Journal’s Julie V. Lovine, writing that the inaugural event has “just the right proportion of earnest effort to razzle-dazzle.”

But as Lovine puts it, the event’s title, “The State of the Art of Architecture” is indeed fitting, as it “is a pulse-taking of contemporary architecture as it could be—creative responses that suggest solutions to some of the intractable, quotidian challenges of our times.”

One thing that stood out for BD+C was the experimentation with new building materials and methods, drafted by both established and up-and-coming talents in the architecture world as a response to today’s environment, societal behavior, and business demands. Here are some highlights:

 

1.Dried Leaves in “The S House” by Vo Trong Nghia Architects

 

 

The Vietnamese firm is well known for incorporating nature into its projects, weaving green space in and out of the built area such as seen in their multifamily residential project, and designs for FPT University’s administrative and classroom buildings.

To the Chicago Architecture Biennial, Vo Trong Nghia brings another sustainable concept, The S House, which aims to make easy to build affordable homes that can be sheathed in locally sourced, renewable material.

According to Dezeen, the design was first released in 2012 and has been refined ever since. Each home should cost around $1,000 and can provide relief in countries struck by natural disasters.

The frame is a galvanized steel structure where each components is 130 pounds or less, and can be erected in under three hours. The frame is then sheathed in dried leaves, as displayed at the Biennial, but any other material that is locally available can substitute. The house is one of four full-sized houses on display at the event’s main exhibition in the Chicago Cultural Center building.

 

2. Cross-Laminated Timber in “Chicago Horizon” by Ultramoderne

 

 

The Rhode Island-based architecture firm Ultramoderne was the winner of the biennial’s Chicago Pavilion competition.

Dezeen reports that the Chicago Horizon pavilion was built “using the largest lengths of timber that can be shipped across North America.”

The structure is constructed near the Museum Campus by Lake Michigan, offering views of the Chicago skyline from the south east. The entire structure was built using cross-laminated timber.

The design uses cues from legendary German architect who later made Chicago home, Ludwig Mies van der Rohe.

 

3. Wooden Pallets in Low-Cost House by Tatiana Bilbao

 

 

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A photo posted by Saul Aaron Appelbaum (@veramaurinapress) on

 

Using wooden pallets to create a rustic, industrial look in interior design has been gracing the pages of design websites for a while, but Mexican architect Tatiana Bilbao is giving the shipping tool a greater purpose.

The architect’s low-cost home design relies on the lightweight yet sufficiently sturdy pallets to establish rooms. They can be shifted around as the household grows or shifts needs.

 

4. Rocks and Strings in “Rock Print” by Gramazio Kohler and Skylar Tibbits

 

 

Towering over attendees in the Chicago Cultural Center is the Instagram-ready, three-legged structure designed by Gramazio Kohler Research of ETH Zürich and Skylar Tibbits of MIT’s Self-Assembly Lab.

According to Archdaily, the structure was created by robotic hands that laid down strings, and between the layers of strings, rocks were placed by hand. A video is the best way to explain this:

 

The tower of rocks isn’t just an artistic sculpture. As The Wall Street Journal’s architecture writer Julie V. Iovine puts it, “the process has untold potential for sustainable and economic construction using the cheapest materials imaginable.”

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