Civic projects in Boston, Las Vegas, Austin, and suburban Atlanta show that a ‘big vision’ can also be a spur to neighborhood revitalization.
3. PROVIDE PLENTY OF PUBLIC GATHERING AREAS
For the new generation of civic buildings, providing multiple spaces for neighborhood events is becoming a crucial component of design—and a proven way to generate widespread support from taxpayers.
That’s one reason the new $31 million, 48,000-sf Alpharetta City Hall will have a multipurpose room on the main floor for use by community groups. “We allow groups to use the council chamber in the existing city hall, but these events can be rough on the furniture and floors,” says City Administrator Regus. Having the new facility should solve that problem.
Outdoor amenities are also becoming a more common component of civic projects. For example, the community room in Alpharetta’s city hall will connect with an outdoor plaza to provide additional space for public gatherings. The Boston Public Schools headquarters will feature a second-floor meeting space with flexible partitions to accommodate community meetings of various sizes on weekends and on weekday evenings when official business is not being conducted. (There’s even talk of allowing neighborhood residents to rent the space for birthday parties and other private celebrations.) The building’s landscaped rooftop patio, offering spectacular views of downtown Boston, will also be available for public events.
Two views of the Dudley Square Municipal Office Facility, keystone of the redevelopment of Boston’s Roxbury neighborhood. The Building Team for the $115 million Boston Public Schools headquarters is being led by Sasaki Associates (architect/CE/landscape/interiors), with Mecanoo International (architectural design collaborator), Arup (MEP/SE/FP), McPhail Associates (geotechnical engineer), Weston & Sampson (environmental engineer), Building Conservation Associates (historic preservation consultant), Lam Partners (lighting), Cavanaugh Tocci Associates (acoustical), ACT Associates (AV), and Shawmut Design and Construction (CM at risk). Renderings: Mecanoo International
In Austin, Texas, a new 198,000-sf central library will be topped with a landscaped terrace offering dramatic vistas of the downtown environs, notably that of nearby Lady Bird Lake. Las Vegas’s new City Hall offers a similar events venue on a second-floor outdoor plaza, which also serves as an informal lunch spot for area workers. The building’s interior features a 430-seat, acoustically tuned Council Chamber, equipped with theatrical lighting, A/V systems, movable walls and cyclorama curtain to host community artistic performances and special events. Access to all these spaces is controlled or monitored by security personnel.
The takeaway: Work with public officials responsible for programming these buildings to explore how these structures can play multiple roles for the community at large. When a city or county adds a prominent new structure to the landscape, the building should provide multiple uses and benefits for everyone—not just government employees—to enjoy.
4. BE CREATIVE WITH AMENITIES
Public buildings at the local level have to be neighborhood friendly. To that end, the Austin Central Library planners have set aside leasable space for restaurants and retail stores, notably a popular used bookstore run by the library itself. Boston is reserving space for mixed-use retail—“the first time the city has ever tried to put retail space into a city building,” says Brophy.
Amenities like these should not be an afterthought; they can be crucial components of a grander scheme. The planned restaurant in Boston fills a void. “The area is commercially and socially dead after dark,” says Victor Vizgaitis, AIA, LEED AP, Principal, Sasaki Associates. “There are few restaurants open after lunchtime.” That’s one reason Sasaki’s designers expanded retail/restaurant space from 8,000 sf to 18,000 sf, a change that garnered strong support from neighbors hungering for such quality-of-life amenities.
In Austin, the library’s eatery will serve a rapidly developing neighborhood. The city is constructing a bridge over the adjacent Shoal Creek to extend Second Avenue, Austin’s thriving downtown commercial strip, past the library. Private developers are putting up new apartment and mixed-use complexes nearby. The library’s restaurant, which will connect with a patio for al fresco dining, is expected to draw more patrons and add an important social dimension to this fast-emerging neighborhood.
Overview of the greater Roxbury area of Boston, site of a major redevelopment envisioned by Mayor Thomas N. Menino. Dudley Square is on the left, with the renovated branch library at center left and the new Roxbury neighborhood police station at right. The area is also undergoing a complete refitting of public infrastructure—roads, utilities, even traffic lights—as a spur to private investment. Photo: Sasaki Associates
Two other spaces in Austin’s library speak to the area’s outdoor-oriented lifestyle. Two screened, shaded, open-air porches furnished with rocking chairs—one in the children’s section with seating for 60, another in the adult area that will seat 45—
will look out over Shoal Creek and the nearby lake. The city’s warm climate means library visitors can read and relax in these spaces most of the year.
The open-air porches stirred up controversy at first, according to Sidney R. Bowen, AIA, Managing Principal, Shepley Bulfinch (www.shepleybulfinch.com), the joint-venture architect with Lake|Flato Architects (www.lakeflato.com). Librarians feared that some patrons might try to steal items from the collection by throwing them from the porch, but those fears were allayed when the designers added screens to prevent such nefarious activities by the book-reading public.
A bicycle garage under the library is another Austin-style amenity. “There will be more parking spaces for bikes [150-200] than for cars,” says Bowen. Plans call for the bicycle parking station to be leased to a bike repair shop, which will collect parking fees and offer maintenance services for cyclists while they visit the library.
The takeaway: These projects show that local government decision-makers are increasingly open to proposals with innovative amenities that line up with a project’s overall goals. One way to discern what will be appealing is to analyze neighborhood amenities and consider how space in a new building could enhance the quality of life.
5. MAKE YOUR DESIGN OPEN AND WELCOMING
Civic projects cry out for prominent elements in and around their entrances to encourage visitors to come inside. After all, these are public buildings.
Boston’s old police station in Dudley Square was built in the late 1960s with no windows. “The neighborhood wanted a design where you didn’t feel like you were intruding on the bunker,” says Brophy. The new police station features floor-to-roof fenestration around the entrance, with a brightly lit lobby—a signal to the neighbors to engage with their local police in community-based crime prevention.
The Municipal Office Facility embraces transparency as well, with large, bold fenestration lining the lower floors of the modern areas of the façade, allowing passersby to peer into the daylight-flooded, open lobby. And the entrance to the Dudley Square library, another Brutalist monument, was remodeled with better lighting and a huge, colorful sign to make the facility more easily identifiable.
The takeaway: During programming, work with area residents to evaluate their desire for more welcoming public facilities.
6. USE LOCAL HISTORY TO MAKE A DESIGN STATEMENT
Historic elements can and should enrich civic projects, making them more of a draw to visitors and thereby enhancing their value proposition. This was certainly the case for the $109.3 million Las Vegas City Hall, which became a kind of diorama of the city’s geological past.
After an early conceptual design was rejected, Howard Elkus delved into the region’s geological history for inspiration. He learned that the name “las vegas” means “the meadows,” a reference to the time when verdant grasses fed by an underground spring made the valley a lush home to the Southern Paiute. The curvilinear form of the 430-seat council chamber was inspired by the mounds created by the spring, represented in the undulating sand-colored walls and metallic-ribboned ceilings.
Nearby Hoover Dam, which helped shape Las Vegas into a modern, neon-drenched city, is reflected in the vertical glass fins of the façade, signifying the flow of water through the intake towers of the dam’s turbines. Horizontal bands in the main structure portray the earthen layers in the Black Canyon where the dam is located. The Grand Lobby’s horizontally veined stone floor and walls recall the stratified rock layers visible on the canyon walls. The illuminated glass sculpture of the Grand Staircase calls to mind the energy of the Colorado River, while gigantic concrete blocks emulate the dam’s muscular form.
A view of the future downtown of Alpharetta, Ga., a rapidly growing suburb about 25 miles north of Atlanta. Jones Lang LaSalle is the program manager for the city, with the Building Team of Smallwood, Reynolds, Stewart, Stewart (architect), David M. Schwarz Architects (associate architect), Uzun & Case (SE), HESM&A Inc. (MEP/FP), URS Corp. (CE to the owner), Metromont Corp. (precast parking deck), and Choate Construction Co. (GC). Rendering: Smallwood, Reynolds, Stewart, Stewart
Solar power, a key technology of the future for this city of abundant sunshine, is represented by decorative rays that adorn the east-wing façade. These rays lead to 33 photovoltaic “trees,” 25- to 35-foot steel structures that shade the main plaza during the day and are expected to produce 290,000 kWh of electricity a year, or 7% of the building’s energy needs. The photovoltaics illuminate glass fins on the façade in a changing display of colored LED lights—a new landmark in the city’s nightscape.
Similarly, Boston’s Municipal Office Facility will preserve the historic façade of the neighborhood’s most prominent landmark, the flatiron-shaped Ferdinand’s Furniture Building. Many Bostonians of a certain age have fond memories of trips to this store as children, notes Vizgaitis. “If you bought your furniture there, it was a sign of success,” he says.
The design also incorporates the historic Curtis and Waterman buildings to create a triangle of historic façades connected by new construction. The restored Ferdinand, Curtis, and Waterman shells will maintain the historic scale of Dudley Square, even as the new building seeks to blend a modern aesthetic in between. Preserving these façade gems, replete with ornate terra cotta and detailed brickwork, added $4 million in costs to the project. The construction manager, Shawmut, will also have to deal with a three-foot front-to-back differential between the old buildings.
The building’s interior lobby space also adds historic references—orange panels and stripes that recall the former elevated Orange Line trolley, which used to dominate Dudley Square from across the street. “We’ve made an effort to recall where that was with storytelling signage and graphics,” says Vizgaitis.
The takeaway: Communities looking to build iconic, 100-year buildings may be willing to spend what it takes to achieve imaginative design if they can embrace a grand vision that will spark economic revitalization. These projects require innovative conceptualization, and often take several years to build public support, generate funding, and secure approvals. With a strong commitment to seeing things through, however, Building Teams and their civic partners can construct award-winning community assets that last generations.
Austin embraces the flexible, evolving library
As libraries morph from book repositories to digital-age institutions, designs must emphasize flexibility in the use of space. Increasingly, clients also want Building Teams to provide commons areas where patrons, visitors, and staff can interact.
The old central library in Austin, Texas, which opened in 1979, has no gathering or meeting spaces to speak of. It was conceived in an era when the primary function of a library was to store books and protect them from sunlight, says Sidney R. Bowen, AIA, Principal with Shepley Bulfinch (www.shepleybulfinch.com), the architect for the new library with Lake|Flato Architects (www.lakeflato.com).
The new $90 million, 198,000-sf library will still have books, but a lot fewer of them, due to the availability of digital technology. “We can try to guess what the library of the future will be, but we’d probably be wrong,” says Bowen. Thus, the design minimizes permanent interior walls, and all bookshelves will be set on casters. “We want the building to last 100 years, not just structurally, but functionally,” he says.
John Gillum, Facilities Process Manager for Austin’s library department, says he and his staff originally thought the building would have to be much bigger—350,000 sf—but that thinking changed during the design process. “We decided that if we relied more on technology, we could have a smaller footprint,” he says.
Some of the space that once might have held books will be replaced with space for congregating. There will be a tiered seating area suitable for such nontraditional library events as cooking classes. A 2,500-sf multiuse room, set up like a large hotel meeting space outfitted with high-tech A/V equipment, will seat up to 500. A ground-floor café and a rooftop terrace provide more opportunities for people to gather.
Increasingly, libraries will be conceived more as public squares than quiet places to read and study—though, in the case of the Austin library, several rooms will be reserved for those purposes. “We all spend too much time on computers by ourselves,” says Gillum. “We want places where we can rub shoulders with other human beings.”
Rare books will be stored at the city’s other libraries, allowing the new library to be flooded with sunlight. “Daylight is the best type of reading light,” says Bowen. “We think this library will be second to none in the U.S. in terms of daylighting.” In Austin’s hot climate, though, maximizing daylighting while controlling energy use is a complex task. “To get light without heat requires a lot of scrim and a huge amount of modeling,” says Bowen.
Building Team: Lake|Flato Architects/Shepley Bulfinch (JV architects), Datum Engineers and P.E. Structural Consultants (SE), Jose I. Guerra Inc. (M/E engineer/energy modeling), Hartunian Engineering (electrical service engineer), Encotech Engineering (plumbing engineer), Urban Design Group (CE), Rolf Jensen & Associates (FP), Coleman & Associates (landscape architect), Simpson Gumpertz & Heger (building envelope), HOLOS Collaborative (LEED consultant), and Integration Design Lab/University of Washington (daylighting consultant).