The renovation of the iconic Brooklyn Paramount Theater restored the building to its original purpose as a movie theater and music performance venue. Long Island University had acquired the venue in the 1960s and repurposed it as the school’s basketball court.
The recently completed restoration preserved historical features while adapting to modern needs. Opened in 1928, the theater was renowned for hosting the world's first talking movies and showcasing legendary musical performers like Buddy Holly & The Crickets, Chuck Berry, Duke Ellington, and Ella Fitzgerald. Redesigned for owner Live Nation, it now accommodates contemporary artists while paying homage to its storied past.
Designed by Arcadis, the renovation incorporated a comprehensive marquee redesign, drawing inspiration from the original structure. The intricately designed ceiling was constructed with plaster, with special attention given to ensure its structural stability so that it is capable of withstanding intense bass vibrations of concerts. Collaborating with a lighting designer, the team illuminated the upper plaster dome, transforming it into a beautiful canvas enveloping the space in colored light to enhance the concert experience.
New life for Brooklyn Paramount Theater
By examining the venue’s original design and historical drawings from the 1920s, the design team salvaged intricate details and restored original architecture altered over the past century. The ticket lobby has been reimagined to align with modern aesthetics and security standards.
Upon entering the 2,700-capacity music hall, patrons are greeted by the featured bar before they encounter a sloped floor designed for optimal viewing. Old classrooms on the upper balcony were turned into mechanical areas to provide the space with modern comfort. The balcony’s original rococo columns with a colonnade, signaling the top of the venue, were replicated.
The second-level balcony boasts exclusive boxes and “Ella's VIP lounge,” paying homage to Fitzgerald's iconic performances in the 1950s. The intimate atmosphere of the VIP lounge showcases a small stage wrapped in a warm burnt-red drape. Over four dozen glistening gold disco balls add an additional level of sparkle to the space to set it apart from the rest of the venue.
Owner and/or developer: Live Nation / Long Island University
Design architect: Arcadis
Architect of record: Arcadis
MEP engineer: Highland Associates
Structural engineer: Thornton Tomasetti
General contractor/construction manager: Schimenti Construction Company
Related Stories
Cultural Facilities | Apr 16, 2018
Best in library design 2018: Six projects earn AIA/ALA library awards
Austin Central Library and the Tulsa City-County Central Library are among the top projects for 2018.
Performing Arts Centers | Feb 20, 2018
Citrus trees inspired the design of this half-billion-dollar performing arts center
SPF:architects designed the complex.
Cultural Facilities | Jan 23, 2018
BIG reveals revised Smithsonian Campus master plan
The original proposal was first unveiled in 2014.
Mixed-Use | Dec 12, 2017
A new live/work neighborhood is about to get under way in Omaha, Neb.
Walkability and recreation will be key features of West Farm.
Cultural Facilities | Nov 2, 2017
Perkins Eastman wins competition to redesign San Francisco’s Harvey Milk Plaza
The Friends of Harvey Milk Plaza unanimously selected the Perkins Eastman entry as the winner.
Museums | Oct 3, 2017
Denmark’s new LEGO experience hub looks like it’s made out of giant LEGO blocks
The 12,000-sm building is part of Billund, Denmark’s goal to become the ‘Capital for Children.’
Museums | Aug 15, 2017
Underground Railroad Visitor Center tells story of oppression, then freedom
The museum is conceived as a series of abstracted forms made up of two main structures, one administrative and one exhibit.
Cultural Facilities | Jul 13, 2017
A WWII bunker becomes a museum along Denmark’s coast
BIG’s design of this cultural center is the “antithesis” of the fortress.
Museums | Jul 5, 2017
Addition by subtraction: Art Share L.A. renovation strips away its acquired superfluity
The redesign of the 28,000-sf building is prioritizing flexibility, openness, and connectivity.
Performing Arts Centers | Jun 30, 2017
L.A.’s John Anson Ford Amphitheater might finally be ready for its close-up
The performing arts venue, nearly a century old, has undergone an extensive refurbishing.
